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Zanarkand (Arr. T. Narita)
Tidus’ Theme – Yuna’s Theme (Arr. M. Hamauzu & T. Narita)
Peril (Arr. T. Narita)
A Splendid Performance (Arr. T. Narita)
Guadosalam – Seymour’s Theme (Arr. M. Hamauzu & T. Narita)
Yuna’s Decision (Arr. M. Hamauzu & T. Narita)
The Wedding – Assault (Arr. M. Hamauzu & T. Narita)
Suteki Da Ne (Arr. M. Hamauzu & T. Narita)
Servants of the Mountain (Arr. M. Hamauzu & T. Narita)
Zanarkand – Hymn of the Fayth (Arr. M. Hamauzu & T. Narita)
Hymn of the Fayth – Final Battle (Arr. M. Hamauzu & T. Narita)
Ending Theme (Arr. M. Hamauzu & T. Narita)
Welcome
Fryderyk Chopin, Andante spianato and Grande Polonaise brillante in E-flat major, Op. 22
Nikolai Kapustin, Concerto for violin, piano and string orchestra, Op. 105, III. Allegretto
Max Bruch, Romance for viola and orchestra in F major, Op. 85
Francesco Cilea, Io son l’umile ancella (from: Adriana Lecouvreur)
Camille Saint-Saëns, Havanaise in E major, Op. 83
Antonín Dvořák, Cello Concerto in B minor, Op. 104, III. Finale: Allegro moderato
Anonymous: Reproches y quejas; Si muero de amor; Trátame como quieras (after Ibn Hazm)
Joaquín Turina, Rapsodia sinfónica for piano and string orchestra, Op. 66
Gabriel Fauré, Elégie for cello and orchestra, Op. 24 (arr. for double bass and orchestra)
David Philip Hefti, Con moto for orchestra (Beziehungsweisen für Orchester)
Licinio Refice, Ombra di nube
Max Bruch, Kol Nidrei for cello and orchestra, Op. 47
Joseph Jongen, Symphonie concertante for organ and orchestra, Op. 81, IV. Toccata (Moto perpetuo – Allegro moderato)