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Etudes, Op. 10: I. Etude in C Major “Waterfall”. Allegro
Etudes, Op. 10: II. Etude in A Minor. Allegro
Etudes, Op. 10: III. Etude in E Major “Tristesse”. Lento ma non troppo
Etudes, Op. 10: IV. Etude in C-Sharp Minor. Presto
Etudes, Op. 10: V. Etude in G-Flat Major “Black Keys”. Vivace
Etudes, Op. 10: VI. Etude in E-Flat Minor. Andante
Etudes, Op. 10: VII. Etude in C Major. Vivace
Etudes, Op. 10: VIII. Etude in F Major. Allegro
Etudes, Op. 10: IX. Etude in F Minor. Allegro molto agitato
Etudes, Op. 10: X. Etude in A-Flat Major. Vivace assai
Etudes, Op. 10: XI. Etude in E-Flat Major. Allegretto
Etudes, Op. 10: XII. Etude in C Minor “Revolutionary”. Allegro con fuoco
Etudes, Op. 25: II. Etude in F Minor. Presto
Etudes, Op. 25: III. Etude in F Major. Allegro
Etudes, Op. 25: IV. Etude in A Minor. Agitato
Etudes, Op. 25: V. Etude in E Minor. Vivace
Etudes, Op. 25: VI. Etude in G-Sharp Minor. Allegro
Etudes, Op. 25: VII. Etude in C-Sharp Minor. Lento
Etudes, Op. 25: VIII. Etude in D-Flat Major. Vivace
Etudes, Op. 25: IX. Etude in G-Flat Major “Butterfly”. Allegro assai
Etudes, Op. 25: X. Etude in B Minor. Allegro con fuoco
Etudes, Op. 25: XI. Etude in A Minor “Winter Wind”. Lento
Etudes, Op. 25: XII. Etude in C Minor. Allegro molto con fuoco
3 Nouvelles études, B. 130: I. Andantino in F minor
3 Nouvelles études, B. 130: III. Allegretto in A-Flat Major
No.1* – Note the clever decision to accelerate towards the end of the upward RH runs, creating the occasional illusion of only 3 beats in a bar and creating the sense of a single, unbroken, soaring line.
No.3 –Incredibly tender voicing, with a particularly dramatic middle section.
No.4 – Pleasingly clear playing. Often the No.4 is burnt to a messy cinder, but here the playing is transparent and exciting throughout.
No.5 – An atypically full-blooded account, with lovely legato playing, especially at moments like .
No.6 – Nearly no pedal used throughout, to great effect.
No.7 – A notoriously hard etude to interpret effectively, but this version is pretty amazing, with beautiful RH phrasing and perky figuration in the left.
No.8* – A real tour de force. The most light and legato version I’ve ever heard. Note the gorgeous pianissimo playing in the D minor section, and the textural shifts at .
No.9 – Played like a tone poem, with impressionistic freedom.
No.10 – The textural variation between the staccato and legatissimo sections is pulled off perfectly.
No.11 – Voicing!
No.12*– A ferocious, overwhelming account. Note how Fialkowska at moments like accents the E-flat at the peak of the LH run, which both adds drama and creates an aural overhang which prepares the sotto voce RH chords which come immediately after. And there's some very fine detached playing in the LH towards the end too.
No.1– Beautifully muted, with judicious rubato.
No.3* – Taut, punchy, spectacular
No.4 – A very brisk tempo, which Fialkowska exploits fully to let the melodic line sing.
No.5* – Note how even in the first section Fialkowska varies the articulation of the theme hugely, from the detached to the fully held notes of .
No.6 – Yet again an astonishing tempo, but completely in service to the music, allowing Fialkowska to generate a sleek, glittering murmuration in the RH.
No.7 – The climaxes are prepared to perfection, and the voicing is consistently flawless. Some really nice rubato too.
No.11*– One of the very best accounts. LH full of swagger, RH full of nimble ferocity + extremely fine dynamic control.
No.12* – As with the very first etude, the sense is not of notes in succession, but a whole series of gorgeous runs, perfectly unbroken. The melody sings with unusual clarity.
I. Étude in C Major. Allegro
II. Étude in A Minor. Allegro
III. Étude in E Major. Lento ma non troppo
IV. Étude in C-Sharp Minor. Presto
V. Étude in G-Flat Major. Vivace
VI. Étude in E-Flat Minor. Andante
VII. Étude in C Major. Vivace
VIII. Étude in F Major. Allegro
IX. Étude in F Minor. Allegro molto agitato
X. Étude in A-Flat Major. Vivace assai
XI. Étude in E-Flat Major. Allegretto
XII. Étude in C Minor. Allegro con fuoco
II. Étude in F Minor. Presto
III. Étude in F Major. Allegro
IV. Étude in A Minor. Agitato
V. Étude in E Minor. Vivace
VI. Étude in G-Sharp Minor. Allegro
VII. Étude in C-Sharp Minor. Lento
VIII. Étude in D-Flat Major. Vivace
IX. Étude in G-Flat Major. Allegro assai
X. Étude in B Minor. Allegro con fuoco
XI. Étude in A Minor. Lento-allegro con brio
XII. Étude in C Minor. Molto allegro con fuoco
I. Andantino in F Minor
III. Allegretto in A-Flat Major