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Intro
1. Mastering your own mixes
2. Use high fidelity references
3. Mastering where you mix
4. Evaluating speakers for mastering
5. Improve your listening environment
6. Benefits of digital room correction
7. What digital room correction can’t fix
8. Will listening environments always matter?
9. Don’t lose perspective
10. Knowing when you’re done
Outro
Mastering for streaming services
Peak-normalized vs. loudness-normalized levels
How streaming services work
How to set levels for streaming services
How lossy codecs affect audio levels
How to reduce distortion in a lossy file
Loudness normalization and streaming services
Implications of loudness normalization
The conundrum of loudness normalization
Conclusion
Intro
Mastering in genres
Prepare your track for mastering
Listen to your track
Validate your decisions with visualizer
Using the Master Assistant
Start by adjusting for tone
Setting the limiter
Automation for emotional impact
Dynamics processing in mastering
Excitation in mastering
Stereo imaging in mastering
Final thoughts
Intro
Mistake #1 Mixing while mastering
Mistake #2 Matching your references
Mistake #3 Relying on targets
Mistake #4 Is gain-staging stupid?
Mistake #5 Forgetting to listen
Mistake #6 Relying on high-end
Mistake #7 Working to your room
Mistake #8 Using the same signal chain
Mistake #9 Relying on limiters for loudness
Mistake #10 Processing after your limiter
Outro