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Intro
Introduction
Make the Kick
Make triggers with Sequencer CV
Sound Example of Kick
Shape the Kick with an Envelope
Tune the Kick
Make the Snare
Sound Example
Shape the Snare with an Envelope
Add more Kicks with the Seq
Sound Example Beat
TIPS! Trigger Seq with LFO
How can you develope this patch further?
Final words
Outro
Intro
Introduction
What is Modular Synthesis?
POM 170 modules
The Oscillator
The VCA
The Sound of the Square
The Filter
Program a Melody
Connect the Sequencer
Hand dancing
The Envelope
Shape the Sound
Control Filter with Envelope
The LFO
Wrap up POM 170
Introduction POM 400
POM 400 vs POM 170
Patching the 400
The different Oscillators
Continue the patch
Clocks of the 400
The Noise module
The Random module
Outro
hello and patch previews
Introduction
Square - including PWM, audio rate modulation & more
Sleepy teddy time intermission
Saw - including linear FM, use an LFO & more
Kick & Snare patch - patching & sequencing two percussions sounds at once
Sine - including linear FM, vibrato & more
Gorilla’s bathroom break
Mixer - mixing audio, chord tones and mixing modulation
Bass riff with VCOs as LFOs & more
LFO - from slow to audio rate
Getting the washing done
Filter - vocal overtones, vowels, low pass sweeps & more
Self generating FM lasers
Envelope & VCA - ADSR shapes, VCA functions and AM synthesis.
Fresh air & sci fi noises
Sequencer - direction modulation, reset, binary inputs, odd step lengths and how to turn a sequencer into a graphic pulse waves oscillator
400 audio rate riff + modular drums & FX
Noise - noise as a percussion synthesis source and as a modulation source
Babies pram ride
Speaker - how does it sound? Comparison with two mics + direct sound
Cosmic space noise & self generating modular soundtrack
Rand - stepped sample and hold with random (from noise), stepping LFOs, retro gaming vibes and audio downsampling
How eurorack compatible is it?