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Syncopated Musical Phenomenon
A genre of musical composition for the piano
The Left Hand represents the rhythm section
The low notes mimic a tuba (or another bass instrument)
the CHORDS communicates the harmony of the song
The right hand is responsible for most (if not all of) the SYNCOPATION
The recipe for a SYNCOPATED RIGHT HAND is to let some accents fall on the on-beats and some accents fall on the off-beats
Mixing the rhythm up in this manner is what gives ragtime its CHARACTERISTIC SOUND
The ultimate (and intended) effect on the listener is to accentuate the beat
Blue Ribbon Rag
Ham Bones Rag
The Cottage
A New Kind of Rag
The Charleston Rag
Dream of You
The Cascades
A Smile Goes A Long Way
A March Medley
All American Woman
These Quakers Are Shoulder Shakers
An Old Time Medley
Blue Heaven
Bow Wow
Bright Eyes
Brown Eyes, Blue Eyes
The Cactus Rag
I Certainly Could
The Crazy Tune Rag
Dream Home
George Cohan's Rag
Pretty Lady
12th Street Rag
1915 Rag
A Lane in Spain
sitting down
02 - Sensation (Joseph Lamb - Scott Joplin, 1908)
04 - Sugar Cane (Scott Joplin, 1908)
06 - Easy Winners (Scott Joplin, 1901)
08 - Magnetic Rag (Scott Joplin, 1914)
10 - Weeping Willow (Scott Joplin, 1903)
12 - The Cascades (Scott Joplin, 1904)
14 - The Entertainer (Scott Joplin, 1902)
16 - Lily Queen (Scott Joplin, 1907)
18 - Pineapple Rag (Scott Joplin, 1908)
20 - Solace (A Mexican Serenade) (Scott Joplin, 1909)
22 - Bohemia (Joseph Lamb, 1919)
24 - Nightingale Rag (Joseph Lamb, 1915)
26 - Ragtime Oriole (James Scott, 1911)
28 - Efficiency Rag (James Scott, 1917)
30 - The Suffragette Waltz (James Scott, 1914)
32 - Junk Man Rag (Luckey Roberts, 1913)
34 - Felix Rag (H. McSkimming, 1910)
36 - Black And White Rag (George Botsford, 1908)
38 - 12th Street Rag (Euday Bowman, 1915)
40 - Pastime Rag No.4 (Artie Matthews, 1920)
43 - Jay Walk (Zez Confrey, 1927)
45 - Coaxing The Piano (Zez Confrey, 1922)
47 - Nola (Felix Arndt, 1915)
50 - Marigold (Billy Mayerl, 1927)