Nobody Else But Me (Jerome Kern; lyr. Oscar Hammerstein)

Emmet Cohen Introduces the Musicians

Conception (George Shearing)

Patrick Bartley, Jr., Greets Emmet’s Place Viewers & delivers well-wishes in Japanese

Just One Of Those Things (Cole Porter)

Sophisticated Lady (Duke Ellington; lyr. Mitchell Parish) - ft. Larry Grenadier, bass

Black Narcissus (Joe Henderson)

Mr. P.C. (John Coltrane) - ft. Pat Bartley, Jr., alto

Ceora (Lee Morgan)

Passport (Charlie Parker)

Blues send-off / Blues by Five (Miles Davis)

A Beautiful Friendship (Donald Kahn; lyr. Stanley Styne)

Tea For Two (Vincent Youmans; lyr. Irving Caesar)

Emmet Cohen Introduces the Trio

Introduction of Trumpeter, Jeremy Pelt

Falling In Love With Love (Richard Rodgers, Lorenz Hart)

When I Fall In Love (Victor Young; lyr. Edward Heyman)

Jeremy Pelt Identifies the Talent & Evolution of the Trio members // His Appreciation Of the New Generations of Musicians

The End of A Love Affair (Edward Redding)

Jeremy Introduces a Donald Byrd composition

The Byrd House (Donald Byrd)

Woody’n You (Dizzy Gillespie)

What’s New (Bob Haggart; lyr. Johnny Burke) (intro: ‘A House Is Not a Home’ - ft. Jeremy Pelt, trumpet solo)

Hindsight (Cedar Walton) - ft. Joe Saylor, drums

Blues send-off ‘‘Griot’s Intuition’’ (B-flat blues)

All The Things You Are (Jerome Kern; lyr. Oscar Hammerstein)

Emmet Cohen Presenta a los Músicos

Un Respeto Mutuo - Shared Gratitude & Respect between Emmet Cohen & Paquito D’Rivera

Bebop (Dizzy Gillespie)

Paquito reflects on the impact of Dizzy’s composition ‘Bebop’

Paquito highlights the role of Brazilian music in the ‘jazz’ tradition.

Manhã de Carnaval (from classic Brazilian Portuguese film ‘Black Orpheus’— Orfeu Negro) (comp. Luis Bonfá; lyr. Antônio Maria)

Diego & Paquito reminisce on Dizzy’s performances of Manhã de Carnaval

Paquito D’Rivera Recalls first encounter w/ Claudio Roditi, Brazilian valve trombonist // Diego Urcola shares a personal history with the valve trombone

Diego Urcola Introduces the classic samba composition, ‘The Monster & the Flower’

The Monster & the Flower (comp. Claudio Roditi, Ricardo Silveira)

Paquito D’Rivera shares more about composer Claudio Roditi and Brazilian percussionist, Portinho

Paquito D’Rivera fondly remembers Dizzy Gillespie, his support of musicians, his South Carolina roots, & famed composition ‘Birks Works’

Birks’ Works (Dizzy Gillespie) - ft. P. D’Rivera, clarinet; D. Urcola, trumpet

Paquito D’Riveira Introduces Argentinian classic ‘Alfonsina y El Mar’ by composer Ariel Ramirez, inspired by poet Alfonsina Storni

Diego Urcola saluda a sus hermanos argentinos virtuales

Alfonsina y El Mar (comp. Ariel Ramirez) - ft. Diego Urcola, trumpet

Paquito discusses tour with Diego & pianist Chucho Valdés, introducing his composition dedicated to Chucho “I Miss You Too”

I Miss You Too (comp. Paquito D’Rivera)

Paquito Recognizes Mario Bauzá as one of Harlem’s most influential figures // his impact on Dizzy Gillespie & bebop movement & role as musical director of the Machito orchestra

Mambo Inn (comp. Mario Bauzá, Grace Sampson, & Bobby Woodlen)

Inspiration from Funmi Ononaiye & Accolades of Musicians: Herlin Riley, drums; Emmet Cohen, piano; Bruce Harris, trumpet; Stacy Dillard, saxophone (tenor & soprano); and Russell Hall, bass

Twelve’s It (Ellis Marsalis)

Herlin Riley Voices His Respect for the Impact of Emmet’s Place // Riley recalls hearing Emmet Cohen, Russell Hall, & Bruce Harris for the first time // The Trio’s Hip Reception in L.A. // Herlin Riley Swings at Dizzy’s - Thanksgiving in NYC (Nov. 22 - 26, 2023) // Herlin shows love for Brother Funmi’s presence behind the scenes

Herlin Introduces an original composition by Emmet, “Harlem Shuffle”

Harlem Shuffle (Emmet Cohen)

Emmet Introduces the Musicians 🔹// A special welcome of Russell Hall to the living room // Russell shares his gratitude & continued pledge to skin-out

Rush Hour (comp. Herlin Riley)

Shake Off The Dust (comp. Herlin Riley)

Special thanks to the Lied Center of Kansas & for igniting the first spark in Emmet’s Place 🔹 appreciation of fellow supporters

Emmet Introduces, “Down Home With Homey” - composition written by Wynton Marsalis for Herlin Riley & a New Orleans brotherhood • (blues built from the 12-tone row)

Down Home With Homey (Wynton Marsalis)

Evidence (Thelonious Monk)

You Don’t Know What Love Is (Gene de Paul; lyr. Don Raye)

Stella By Starlight (Victor Young)

A grateful spirit to close the set, words by Emmet Cohen & Herlin Riley

Tootie Ma Is A Big Fine Thing (tradt’l New Orleans anthem) 🥁 - ft. Herlin Riley, drums & vocals, & all musicians

Spirit of Freedom (orig. comp. Patrick Bartley, Jr.)

Emmet Cohen Introduces the Musicians: Patrick Bartley, Jr., alto sax; Kyle Poole, drums; Yasushi Nakamura, bass; Max Boiko, trumpet

All of You (Cole Porter)

Pat Bartley Discusses the Energy of Touring with Emmet, their Musical Brotherhood, & the Influence of the great Roy Hargrove

The Lamp Is Low (Peter Derose, Bert Shefter; lyr. Mitchell Parish)

Singing In The Rain (Ignacio Herb Brown; lyr. Arthur Freed, Judy Garland arrg.)

Pat pays homage to the Artistry of Judy Garland & American Theater Classics

The Trolley Song (Hugh Martin; lyr. Ralph Blane, Judy Garland arrg.)

Stardust (Hoagy Carmichael; lyr. Mitchell Parish) - ft. Patrick Bartley, Jr., alto sax

Emmet Praises Pat’s Passion, Joy, & Impact During their European Tour

Pat Discusses the Impetus & Inspiration Behind his Composition, “These Blues”

These Blues (Are All I Got) (orig. comp. Patrick Bartley, Jr.) - ft. Pat Bartley, alto sax and Julian Lee, tenor sax

Reach (orig. comp., Patrick Bartley, Jr.) - ft. Pat Bartley, alto sax and Julian Lee, tenor sax

The Theme (Miles Davis) - ft. all musicians

The Emmet Cohen Trio Takes the Stage

Spillin’ the Tea (Emmet Cohen) - ft. Emmet Cohen, piano; Philip Norris, bass; Kyle Poole, drums

Emmet Prepares Audience for a Dynamic Evening & Welcomes alto saxophonist, Patrick Bartley, to the stage

The Way You Look Tonight (Jerome Kern; lyr. Dorothy Fields) - ft. Patrick Bartley, alto

Emmet Invites the great Herlin Riley to the stage, with master trumpeter Sean Jones

Caravan 🐪 (Juan Tizol, Duke Ellington) - ft. Herlin Riley, drums; Sean Jones, trumpet; & Patrick Bartley, alto sax, w/ Phil Norris, bass & Emmet Cohen, piano

Emmet Welcomes Shelton “Shelly” Berg to the Piano, Dean of Frost School of Music, and Cyrille Aimée, vocal musician 🎹🎙️

Close Your Eyes (Bernice Petkere) - ft. Cyrille Aimée vocals, and Shelly Berg, piano

Cyrille Expresses Appreciation for the Frost Community & joy of her past residency

Bewitched, Bothered, & Bewildered 🪄(Richard Rodgers; lyr. Lorenz Hart) - ft. Cyrille Aimée vocals, and Shelly Berg, piano

Yardbird Suite / (What Price Is Love?) (comp. & lyrics, Charlie Parker) - ft. Cyrille Aimée vocals with Pat Bartley, Sean Jones, Kyle Poole, Phil Norris, & Emmet Cohen

Sean Jones’ Blues (Sean Jones) 🎶- ft. Sean Jones, trumpet; w/ Emmet Cohen, Kyle Poole, Phil Norris, Shelly Berg, & Herlin Riley

Tootie Ma ⚜️(Danny Barker; tradt’l New Orleans anthem) - ft. Herlin Riley, drums, w/ Sean Jones, Pat Bartley, Emmet Cohen, Phil Norris, & Pedro Segundo, percussion

(You’ll Have To Swing It) Mr. Paganini 🍸(Sam Coslow) - ft. Cyrille Aimée vocals, Shelly Berg, Phil Norris, Kyle Poole, & Pedro Segundo

Emmet Offers Gratitude to alma-mater, University of Miami Frost School of Music, Dean Shelly Berg, & to Michael R. Ragan for continued sponsorship & philanthropy

La Vie en Rose (Édith Piaf lyr.; comp. Louiguy) - ft. Cyrille Aimée vocals, & all featured musicians

Misty (Erroll Garner)

Mosaic (Cedar Walton)

Introduction of the Band

Love For Sale (Cole Porter)

When Lights are Low (Benny Carter, Spencer Williams)

Listen to the Dawn (Kenny Burrell)

Blues Jam with Malone / Bags’ Groove (Milt Jackson)

Just As Though You Were Here (J.B. Brooks; lyr. E. de Lange)

Road Song (Wes Montgomery)

My Shining Hour (Harold Arlen; lyr. J. Mercer)

Gut Bucket Blues with R. Malone

While We’re Young (A. Wilder M. Palitz; lyr. B. Engvick)

Over The Rainbow (H. Arlen; lyr. Y. Harburg)

Darn That Dream

Introduction of the Band

Scotch and Water (Joe Zawinul, Cannonball Adderly)

Ugetsu (Cedar Walton, Art Blakey)

Little Willie Leaps (Miles Davis, Charlie Parker)

I Surrender Dear

After You’ve Gone

Spirit of Freedom (*orig. comp. Patrick Bartley)

Come Sunday (Duke Ellington)

The Theme (Miles Davis)

Recorda Me (Joe Henderson)

Con Alma (Dizzy Gillespie)

Emmet Cohen Introduces the Musicians

Miguel Zenón introduces composition ‘Óyelo’ - honoring the musical heritage of Puerto Rico

Óyelo (comp. Miguel Zenón)

Miguel Discusses the Legacy of Early Puerto Rican Composers

Alma Adentro (Sylvia Rexach)

Perdido (Juan Tizol)

Introduction of Vocalist Melvis Santa

Que Te Pedí (Fernando Mulens, lyr. Gabriel Luna de la Fuente; Tito Puente, La Lupe)

Miguel shares the Influence of Puerto Rican composer, trombonist, & Ellington orchestra member, Juan Tizol

Caravan (Juan Tizol, Duke Ellington)

Amor (Miguel Zenón)

Blue ‘N’ Boogie (Dizzy Gillespie, Frank Paparelli)

I’ve Got You Under My Skin (Cole Porter)

Introduction of the Band

The Boy/Girl Next Door (H. Martin, R. Blane; Judy Garland)

My Man (Maurice Yvain; lyr. J. Charles, A. Willemetz, C. Pollock)

Just One of Those Things (Cole Porter)

Love is Coming Out (orig. comp. Michael Blume)

God Bless The Child (comp. Billie Holiday, A. Herzog)

I’ll Look Around (G. Cory, D. Cross; Billie Holiday, Nina Simone)

Cheek to Cheek (Irving Berlin)

Someone to Watch Over Me (G. Gershwin; lyr. Ira Gershwin)

How Insensitive (A. C. Jobim; lyr. V. Moraes, N. Gimbel)

Secret Love (S. Fain; lyr. P. F. Webster)

Let the Good Times Roll (S. Theard; Louis Jordan)

The Nearness of You (H. Carmichael; lyr. N. Washington)

Manufactured Love (orig. comp. Michael Blume)

Sir Duke (Stevie Wonder)

Hangin’ in and Jivin’ (Nicholas Payton)

Tea For Two (Vincent Youmans; lyr. Irving Caesar)

Emmet Cohen Introduces the Musicians: Nicholas Payton, trumpet; Joe Dyson, drums; and Philip Norris, bass

Levin’s Lope (Nicholas Payton) — a composition written for beloved bassist, Sir Ron Levin Carter

Pinocchio (Wayne Shorter) — (ft. audio: Wayne Shorter reflects on the conversations & chemistry shared w/ Miles Davis & Herbie Hancock — Davis’ instructions to Shorter, inspiring future recordings: “Bring the book.”)

Introduction of Nicholas Payton’s “Notes From the Zen Gangster” - Payton’s insights & hard-earned wisdom acquired as a musician, activist, & mouthpiece of Black American music: “A mistake is the truth trying to come out”

Big George (Nicholas Payton) — a composition written for iconic tenor saxophonist, George Coleman

Q for Quincy Jones (Nicholas Payton) — a composition written for the legendary composer & producer // 🎹 Nicholas Payton joins Emmet Cohen at the keys

Gratitude for the heartfelt sponsorship of this evening’s performance by the faithful community of Monday night music-lovers (TGIM)

Feed the Fire 🔥 (Geri Allen) — (ft. audio: composer & pianist, Geri Allen describes the musical landscape of Detroit - the fluid movement between genres by members of Motown & diverse communities of musicians // the openness to embrace new disciplines & settings)

You Go To My Head (J. Fred Coots; lyr. Haven Gillespie)

Oleo (Sonny Rollins)

Bleek’s Blues (Nicholas Payton)

Struttin’ With Some Barbecue (comp. Lillian Hardin Armstrong; lyr. Don Raye) ⚜️❤️‍

Body & Soul (Johnny Green; lyr. E. Heyman, Robert Sour, F. Eaton)

Emmet Expresses Gratitude to Nicholas Payton for his inspiration of the music scene as a mentor & master; as one invested in the organization of thought, efficiency of notes, & the dedication to choices.

Blues send-off / S.K.J. (Milt Jackson) - (in tribute to our dearly missed Funmi Ononaiye 🤍🌎♾️)