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Katherine Coleman
Sketching the design
Inspiration from the V&A’s glass gallery
Refining the Gingko leaf design and sourcing glass blanks
Drawing the design onto the glass blank and fixing using a diamond-tipped drill
Cutting away the background using sintered diamond wheels
Mixing a grit and oil paste, setting up the copper wheel
Engraving using the wheel
Pre-polishing the clear glass background using fine white corundum wheel and water drip
Polishing, marking out the detail, and cutting using small diamond-coated bur mounted in a spindle
Removing the permanent ink using methylated spirits with a brush
The finished piece
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YouTube-Lesley Pyke Glass Engraver
2023/09/03Greeting Cyrus
Recent discounts
Introduction to today's live content
Pre-processing methods before glass engraving
Small tips on placing materials on the cutting board
Tips and tricks for software usage in glass engraving
Techniques for mirror engraving
Software formats supported by Vision's Make it! App
Project showcase and experience sharing in glass engraving
Answering user questions about whether Vision supports stainless steel engraving
Post-processing after glass engraving completion
Post-processing and coloring after mirror engraving
Showcase of results from two methods of glass engraving
Q&A session