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Japanese Woodblock Printmaking
Transferring the Image to the Key Block
Carving the Key Block
Test Printing
Color Printing
Key block design reproduced from: Ando Hiroshige (1797-1858), Japanese Sea of Satta. from Thity-six Views of Mount Fuj, 1858
Woodcut on woven paper Gift of Dr. Pamela Zell Rigg UMFA2000 23.1
Color block print: Jennifer Worsley Coastline Madrona Trees, 2010 Woodcut on Rives heavyweight paper 6 blocks, 60 ed.
UMFA UTAH MUSEUM OF FINE ARTS
Introduction and opening
0/11 - Moistening the Paper
1/11 - Key block
2/11 - Yellow on Falcon
3/11 - Gold Ornamentation
Adjusting the Kento Registration Marks
4/11 - Vermilion
5/11 - Blue Background
6/11 - Yellow Feet
7/11 - Pink Flag
8/11 - Pink Circles
9/11 - Blue Rope
10/11 - Blue on Wings
'Pearl' Pigment
11/11 - 'Pearl' Insignia
12/11 - Name Embossing
Drying the Prints
Slideshow
Chat with Suga-san
Introduction
1/17 - Background (First Impression)
2/17 - Background (Second Impression)
3/17 - Key block
4/17 - Bowl Background
6/17 - Bowl Bottom Gradation
7/17 - Gradation to Darken the Bowl
9/17 - 2nd Reddish Gradation Inside the Bowl
10/17 - Blue Wave Pattern
11/17 - Dark Brown Speckling
12/17 - Dark Brown Crescent
13/17 - Yellow in Upper Chipped Section
14/17 - White Wave Patterns
15/17 - Shadows at Bottom of Bowl
16/17 - Subtle Scratches on Sides
17/17 - Inner Darker Background
Slideshow
Wrap-up