Intro

Orbiter Screen

Overtone Generators

Filters

Sound Gen Summary

Arppegiator

Post Effects

Where it Shines

Conclude

Intro

What is it based on?

Sound Demo

Filter Pedal

Oscillator features

Octaves

Macros & Presets

Lead Presets

More Presets

Conclusion

Hello and patch previews

Dynamics module feature run down & controls

Steroids for your oscillators

Pressure cooker end of chain processing

How to patch dynamic ducking delays

Crunch & Boom for Beats

Extra character for 303s

Parallel compression with ModBap beats (boom bap hip hop)

Jungle loops brought to life

The difference between compression & expansion

Feedback drones - what a monster!

Responsive amp style distortion in stereo

Adding life to beats & FX

Dynamics as studio processors - bass guitar shaping

Audio rate modulation of compression? WTF!

Making AM synthesis more varied, musical and dynamic

Character oozing VCA action

Stacking drive for warm guitar fuzzies

Feed the Techno Viking!

How to make space for big FX in your mixes

Companding with emphasis + de-emphasis for noise reduction + better FX

Extra bite for your acid

Bosh, Bang DNB beat

Circuit hacking for dual level control

Monstrous low end for ambient doom

How To Use the Stick

Usb Attached Load Setups

Meditation

Perfect Counter

Pianist Styles

In Concert Series

Welcome, hello, patch previews

Feature run down and walkthrough

The sound, the thru zero FM (an exploration of...) and the other waveforms and controls. There's a comparison of thru zero and log/exp FM, PWM, static and dynamic (modulated by an external VCA) frequency modulation and more.

The square and pulse waves ... the square sounds great (a little filter/delay sequenced patch). I then explore standard LFO modulation of PWM but also audio rate pulse modulation for a wide range of static and dynamic PWM overtones that gives us all sorts of phase distortion synth type tones imparting new and unique overtones compared to the standard analogue waves you'll be used to.

FM Interjection 1 ... a little thru zero sine on sine / sine on triangle FM interjection with no talking. A lovely little ear break :)

The saw wave output ... looking at wave shaping the saw with octave up like FX, tremolo style amplitude changes, adding voltages to add a square edge and set of harmonics to the saw and audio rate overtones for even further unique and new tones from otherwise simple waves.

A stereo generative patch making use of the pulse output and saw outputs with some FX and a pair of LPGs.

FM Interjection 2 ... thru zero sine on sine dynamic (envelope / VCA controlled modulation) FM for some quirky and classic FM tones.

Using the EN129 as an LFO. This offers some unique wave shape control using thru zero FM to control the LFO shape at various sub audio and audio rates. We create a new "diamond waveform" in this section too.

FM Interjection 3 ... tuneful yet warbly thru zero FM sequences with a little wonkiness as a palette cleanser before the final section on the video.

Creating a kick drum / percussion sound with the EN129 and using the thru zero FM to add noise based snare like overtones or FM like tones for added impact and creative tone control when synthesising your own drum sounds.