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I. Sonata reminiscenza
II. Danza graziosa
III. Danza festiva
IV. Canzona fluviala
V. Danza rustica
VI. Canzona serenata
VII. Danza silvestra
VIII. Alla reminiscenza (coda)
IX. Danza silvestra
I. Meditazione
II. Romanza
III. Primavera
IV. Canzona matinata
V. Sonata tragica
I. Danza col canto
II. Danza sinfonica
III. Danza fiorata
IV. Danza jubilosa
V. Danza ondulata
VI. Danza ditirambica
I. At the Gates of the Holy Cloister
II. I’ve Lived to See Desire Vanish
III. On the Lake
I. Winter Evening
II. Epitaph
I. Day and Night
II. Willow, Why do You Lower
III. The Wave and the Thought
IV. Twilight
V. I am dumbstruck
VI. Should a Smile Gently Brighten Your Face
VII. Tender Whisper, Timid Breathing
I. Unexpected Rain
II. I Can’t Listen to This Birdsong
III. Butterfly
IV. Heavy, Dark and Faded
V. Peace in Springtime
VI. I Sit Deep in Thought and Alone
VII. Lord, Send Your Comfort
I. Muse
II. The Singer
III. Night Piece
IV. The Horse
V. Elegy
VII. Incantation
I. Allegro
IV. Finale: Allegro risoluto
III. Largo
II. Piano Sonata in D Minor, "Elegy"
Hamish Milne
II. Andantino con moto
III. Tempo dell'introduzione
I. Introduzione: Andante con moto
IV. Allegro molto sfrenatamente, presto
II. Allegro
V. Quasi cadenza
III. Finale: Allegro
I. Allegretto
I. Allegretto
Eckardstein
Kissin
Tozer
I. Romanza. Andantino con moto, ma sempre espressivo
I. Romanza. Andantino con moto, ma sempre espressivo
IV. Finale. Allegro non troppo
III. Fuga: Sempre al rigore di tempo
VI. Coda: Sempre animato (al rigore di tempo)
III. Fuga: Sempre al rigore di tempo
VI. Coda: Sempre animato (al rigore di tempo)
II. Allegro moderato e cantabile
Fairy Tale op. 9 no . 2 – Boris Berezovsky, live 2012
Fairy Tale op. 48 no. 2 – Severin von Eckardstein, live 2015
Sonata-Fairy Tale, op. 25 no. 1 – Gleb Akselrod, 1964
Sonata-Elegy, op. 11 no. 2 – Maria Yudina, 1958
Dithyramb, op. 10 no. 2 – Severin von Eckardstein, live 2013
Sonata Tragica, op. 39 no. 5 – Michael Ponti, live 1988
Fairy Tale op. 20 no. 1 – Maria Grinberg, 1961
Sonata Reminiscenza, op. 38 no. 1 – Viktoria Postnikova, live 1980
4 Lyrical Fragments, op. 23 – Alexander Bakhchiev, 1966
Night Wind Sonata, op. 25 no. 2 – Boris Berezovsky, live 2004
Canzona serenata, op. 38 no. 6 – Nikolai Lugansky, live 2013
Lyrical Fragment, op. 23 no. 3 – Ekaterina Derzhavina, live 2013
Fairy Tale op. 34 no. 3 – Abram Shatskes, 1958
Fairy Tale op. 20 no. 2 – Maria Grinberg, 1961
Piano Sonata in A minor, op. 30 – Severin von Eckardstein, live 2015
Danza Silvestra op. 38 no. 7 – Maria Grinberg, 1948
Piano Sonata in G minor, op. 22 – Igor Zhukov, live 2003
Improvisation op. 31 no. 1 – Dmitri Alexeev, live 2018
Alla Reminiscenza op. 38 no. 8 – Vadym Kholodenko, live 2018
The Angel, Op. 1 bis
I. Introduction & Song of the Nymphs
II. Secrets
III. Procession of the Graces
IV. What the Poet Speaks
I. The Window
II. The Ravens
III. Elegy
IV. Visions
V. Spanish Romance
VI. Serenade
VII. The Prisoner
I. Pastorale. Allegretto cantabile
II. Allegro moderato e cantabile
I. Prayer
II. Epitaph, Op. 13a
III. Psalm
This Fairy Tale is a short musical poem. The musical lines are serpentine and meandering, never really settling in one particular place, and each phrase ends as if with a question mark. Even the climactic middle section ends abruptly with a sudden change of harmony creating a dramatic abyss from which emerges the opening theme.but now at a slightly higher pitch.
Happily the meandering qualities of the music enable it to wander in search of the original key, but we only get there at the very end of the reprise! To conclude the piece Medtner needs to add more weight to this arrival in F minor and he does so by including a brief coda (a sort of musical tail). The lowest note of the piece - the resonant F that heralds the coda.does a lot to establish this but the figuration that follows is still ethereal and meandering, eventually coalescing into a double trill (which is a sort of nebulous musical plasma). Out of this plasma, the final few notes whisper an F minor "home" harmony before dying away.