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Intro
MC3 Walkthrough
Pedalboard View
Live Mode
Aux Switch
Tap Tempo
Walrus Audio D1 Delay
Walrus Audio R1 Reverb
AB Page Toggle
Midi Clock BPM
SET LIST Example 1
Song 1 // Here For You
Song 2 // Won't Stop Now
SET LIST Example 2
Song 1 // Glorious Day
Song 2 // Surrounded (Fight My Battles)
Using Different Presets in Song
Song 3 // Forever
Intro Preset
Verse Preset
Chorus Preset
Instrumental Preset // Lamb Overdrive Lead Boost
Bridge Preset
Intro
Size comparison
Processor and memory
Navigation
Triple color screens
Color Strips
Color Strips (for effects)
Color Strips (for presets)
Selecting colors
Changing text and background colors
Font size
Icons
I/Os and connections
DIN5 MIDI ports
Omniports
Relay ports
USB-C Device port
USB-C Host port
3.5mm TRS MIDI ports
Wireless MIDI
Editor
Migration from another Morningstar controller
Microstar Morningcosm
Executing several functions in a single button press via MIDI control
Recording an initial loop and preliminary overdubs
Limitations of Overdub → Reverse functionality
Introducing the “Overdub → Reverse workaround patch” in the Morningstar
Anatomy of the Morningstar Overdub → Reverse patch
Introducing Toggle Mode in the Morningstar
Reviewing “manual” Overdub → Reverse, and comparing it to the MIDI equivalent
Basics of Vari-Speed on the Microcosm
Limitations of Overdub → Vari-Speed functionality
Changing pages on the Morningstar to access individual Vari-Speed switches
Analyzing the strings of Overdub → Vari-Speed MIDI messages
Jumping directly to different Vari-Speed settings in the middle of an overdub
Reviewing “manual” Overdub → Vari-Speed, and comparing it to MIDI control
eye heart .25 sp33d
Imaginary bass player after too many cups of coffee
Expanded functionality is functionally expansive
Using Long Press messages to embed Erase functionality in the Record switch
Exiting “looper only” mode and turning Quantize on
Setting the Microcosm's internal clock with a momentary MIDI Tap Tempo switch
Using MIDI to bypass the need for the looper “on/off” switch
Ending Record with Play (rather than Overdub), and embedding Overdub as a Long Press option for Play
Recording a new loop straight out of playing a previous one
Using Tap Tempo to record a new loop at a completely different speed
Engaging Reverse via MIDI
Switching between Pre-FX and Post-FX loop placement via MIDI
Applying Reverse, changing Interrupt algorithms, and varying effects placement
Ooop
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