Camouflage Pattern

Phase Four

Three Patterns To Cover Woodland Environments Desert Environments

Transitional Environments

The 2014 Defense Authorization Act

Colors

New Ocp Uniforms

Difference between Multicam and Scorpion W2

Introduction

Why 3 different angles?

What do we need?

Nesting clips

Creating a Multicam Sequence

Multi-Cam Edit Mode

Multicam View

Editing in real-time

Editing Example

Conclusion

Start

Multicam Editing overview

Planning for Multicam Editing

Limits of Multicam Editing

Creating Proxies - options

Proxy resolutions

Enabling Multicam Edits - Multicam View

Working in lower resolution

Starting the multicam edits

Audition multicam audio edit

How to make proxies

Editing keyboard shortcuts

Capabilities of camera sync

Introduction

Disconnecting Our Audio from Video

Framing Our "Wide" Shot

Touching Up Our Video Before Setting Up Shots

Understanding Why We Did Touchups on Our Wide Shot

Creating Our Virtual Camera Shots

Creating Multi-Cam Vignettes

Magic Camera Shots with Multicam Clip Editor

Importing Multicam Shots to Main Timeline

Editing Multicam Shots with Mouse Clicks

Editing Multicam Shots with Keyboard Clicks

Manually Correcting Multicam Shot Selection

Final thoughts

End Credits

Multicam in DaVinci Resolve 18

Good Sync Points

Bring Clips into Media Pool

Check Audio Sync

Create Multicam Clip

Check Multicam Clip for Errors

Check Synced Clips

Changed for Easy Multicam Edits

Organize Tracks (up/down)

Create New Timeline & Add Multicam Clip

TIPS for Working with Multicam Clips

Select Main Video Angle

Change # of Viewers for Multicam

How to Change Angles

Start the Edit!

Change Angle for Clip

Color Grade Multicam Clips

Close Multicam Clip Timeline

TROUBLESHOOTING

Multiple Files/Multiple Cameras Problems

FIX Camera Clips in Different Tracks

Delete Unused Angles all at ONCE

Many Small Clips to Sync Issues

Rename Tracks if You FORGOT

If in Doubt - Open Multicam in Timeline

Development of Multicam

How Multicam works

Scorpion Camo

Scorpion vs UCP

Operational Camouflage Pattern

New Multicam Patterns

Multicam Black

Conclusion

Outro

Introduction

Paint colors

Degreasing the rifle

Applying stencils

Applying darks

Applying light color

Final effect

Intro to Multi-Cam Editing in Premiere Pro

Example of multi-cam editing

Adding the clips to the timeline

Syncing audio with clips

Filling gaps

Anchoring the clips

Creating a Multi-Cam Sequence

Editing the multi-cam

Rolling Edit Tool

Color Grading

Cutting with Multicam

Editing

Multicam Sequence Playback

Tips

Cutting with overlays

Roll Edit

Adding additional cuts

Changing resolution

Disable multicam overlays

How to Get Multicam editing in LumaFusion

How to use the multicam feature in LumaFusion 4

LumaFusion 4 multi cam hack

Intro

Tutorial Start

Syncing Audio

Multicam Editing

Current Angle Icon

Multicam Editing Interface

Switching Angles

Active Audio Angle

Switching Between Video & Audio

Conclusion

Intro, what makes multicam powerful

Library/project setup, importing clips

Setting up clips for multicam (IMPORTANT!)

How to create the multicam clip

Basics of working with multicam clips

Applying adjustments to multicams

Switching video and audio sources for multicams

Setting up clips for PIP effect (synchronized clip)

Creating a compound clip and new multicam for PIP angle

Conclusion

Intro

Applying Second Coat Of Paint

Removing the Stencils

Reassembly