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Theme 1.1
Theme 1.2
Theme 1.3
Transition
Theme 2.1
Theme 2.2 (Note the 10ths in the LH, which are notoriously awkward to play)
Theme 1.1 continues, but with its link to Theme 1.3 more clearly displayed
Theme 1.1’s rhythm, over a G pedal
Theme 1.2 with added counterpoint
The RH introduces decoration, while Theme 1.2 is relentlessly shortened until only its head is left, used sequentially: .
The final bit of RH decoration is augmented and gradually revealed to be Theme 1.1, in a transitory passage of extraordinary efficiency – stuff like what happens at was really unheard-of before this sonata
RECAPITULATION
THEME.(E maj)
EPISODE 1.(C# min)
EPISODE 2.(B maj) [Note the relation to the theme, and the gently dissonant slow trill starting from ]
EPISODE 3.(B maj)
THEME.(E maj, with a long modulating tail)
EPISODE 3 / Quasi-development.(C maj/C min/C# min/C# maj/E maj)
EPISODE 1.(C# min)
EPISODE 2.(E maj – viewed from a sonata-form schematic, we’re in the recapitulation, since the B theme – episodes 2/3 – is now presented in the tonic, rather than the original dominant)
EPISODE 3.(E maj, with an unexpected modulation to C at the end)
Transition
Theme, in lower registers
Theme, compressed
EPILOGUE [It’s a pretty extraordinary passage, introducing some rather string-quartet-like 4-part writing, decelerating, accelerating, and then sneaking in an ending so unobtrusive you don’t quite notice it’s already here.]