Introduction

Testing the Emulsions

Coating the film

Setting room

Transporting the film

35mm Cassette Making Line

120 Film Packaging

Quality control

Conclusion

Lay out the film and equipment so that you will be able to find them in the dark

Mix all your chemistry to the recommended quantities and temperatures

In complete darkness, remove the film and load the spiral

Place the spiral into the developing tank and screw on the lid

The film is now sealed inside a light-tight container so you can switch on the lights

Follow the recommended timings and instructions for each stage. Pour your premixed developer into the tank

Fit the sealing cap and follow the agitation instructions

Pour out the developer and repeat the process with the stop both and fixer solutions

Wash the film in water and then hang it up to dry

the end of an era

Ilford Rapid Retro single use camera

Ilfocolor

Testing and sample images

Film conspiracy?

Polaroid and Ilford

Ilfords history

Ilford and Harman Technology

Repackaging film products

Breaking down a composition

How did you choose your film stock?

The Petrified Wood Station

What is skating about?

Conclusion

This is a lens iris

This controls how much light enters the camera

Aperture is measured in f-stops

A smaller f-stop means a larger aperture, while a larger F-stop means a smaller aperture

Aperture is typically used to control Depth of Field the area of your image that appears in focus

A wide aperture will have a smaller area of focus and can help te blur the background

Stories of Youth in the Bronx

Student Testimonial

Winning the Gold Key at the Scholastic Awards

Why is it important for people to print their work?

Closing Remarks

Fighting Back with Positivity

The ILFORD SIMPLICITY Starter Pack is designed to work with a Paterson 2 reel developing tank.

The sochets will process: 2x rolls of 35mm (135) film

Simply pour the full contents of each sachet into a container that can measure 600ml of liquid such as a measuring cylinder or household jug

Add water at the correct temperature to make 600ml of solution.

Stir the solution to ensure it is mixed.

Repeat the process with the ILFORD SIMPLICITY Stop Bath

And with the ILFORD SIMPLICITY Fixer

Your chemicals are now ready to use

Give the tank 5 inversions and pour the liquid out.

hello

drinking some coffee

ilford's new film leak

thats it

thank you, bye

Intro

What Are Filters?

What is Contrast?

What are Filter Grades?

Under-the-lens Filters

Enlarger Filter Drawer

Using Full Speed Filters

Multigrade Paper Guide

Conclusion

The film is contained in a lightproof cassette which allows it to be loaded in daylight

35mm film rolls come with either 24 or 36 exposures

The film comes with protective backing paper, showing the three standard formats

Also known as large format composed of individual sheets

Intro

Choosing the right paper stock

Tones and Finishes

Warm Tone

Examples of Finishes

Contrast Levels

Developing, Washing and Drying Times

The Washing Process

Examples of Fibre-Based Papers

Conclusion

Making a Photogram

Photographic paper is sensitive to light

To make a photogram keep part of the paper covered while exposing the rest to light

The objects block out part of the light to make a pattern or picture

You can use a lightsource such as an enlarger, desk lamp or torch to expose the paper

Remove the objects and place the paper in a tray of developer to see your image appear

Using tongs move the paper into the stop bath for 10 seconds

Then immerse in fixer solution for a few minutes to make the image permanent

Finally wash it in clean water

Settings

800 Iso

1600 Iso

Conclusion

Outro

Loading Ilford HP5

Know Your Rights

Getting Pulled Over by Security

Intro

Features of Fibre Based Papers

Comparing Different Finishes

Direct Positive and Textured Art 300

Textured Art 300

How to use Fibre Based Papers

Processing Tips

Drydown

Flattening

Conclusion

The negative carrier inserts into the enlarger

The light shines through the negative and lens and projects the image onto the easel

The enlarger head moves up and down the column to frame and focus the image on the easel

A focus finder is used to check the projected image is in focus

Multigrade filters can be used to change the contrast at the print

Photographic Paper is placed onto the easel which sits on the base board