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Introduction to Limerence
The Roots of Limerence
Triggers and Self-Regulation
Identifying Limerence: Intensity
Preoccupation and Fluctuation
Idolization and Its Consequences
The Reality of Relationships in Limerence
Emotional Dependency and Codependency
The One-Sidedness of Limerent Relationships
The Disruptive Nature of Limerence
Reciprocation Dependency
The Role of Fantasy in Limerence
Fear of Rejection
Confronting Limerence
Delusion and Social Impact
Limerence as Preoccupation
Physical Symptoms of Limerence
Possessiveness and Jealousy
Limerence Limiting Personal Growth
Discernment and Overlooking Flaws
Recognizing Limerence and Moving Forward
Conclusion and Future Topics
Symphony No. 6 in F Major, Op. 68: II. Andante molto mosso
Bagatelle in A Minor, WoO 59 "Für Elise"
Piano Concerto No. 1 in C Major, Op. 15: II. Largo
v Sonate Pathetique, Op. 13: II. Adagio
Symphony No. 2 in D Major, Op. 36: II. Larghetto
Piano Sonata in C-Sharp Major, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso
Septet in E-Flat Major, Op. 20: II. Adagio cantabile
Violin Sonata No. 5 in F Major, Op. 24: II. Adagio molto espressivo
Symphony No. 9 in D Minor, Op. 125: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo
String Quartet No. 13 in B-Flat Major, Op. 130: V. Cavatina. Adagio molto espressivo
Violin Concerto in D Major, Op. 61: II. Larghetto
String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo
Cello Sonata No. 2 in D Major, Op. 102: II. Adagio con molto sentimento d'affetto
Symphony No. 4 in B-Flat, Op. 60: II. Adagio
Romanze in F Major, Op. 50
An die ferne Geliebte, Op. 98: I. Auf dem Hügel sitz ich, spähend - II. Wo die Berge so blau - III. Leichte Segler in den Höhen - IV. Diese Wolken in den Höhen - V. Es kehret der Maien, es blühet die Au - VI. Nimm sie hin denn, diese Lieder (Tenor)
Der Kuss, Op. 128 (Tenor)