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Since this is one of the jazzier piano arrangements, I had a lot of fun to experiment with rhythmic bass patterns in the left hand. The best example would be the "bass guitar" interjections in.and . You have to jump very quickly in the left hand, but the resulting rhythmic energy was simply irresistible.
I also made use of the sostenuto pedal (aka the "middle pedal" in grand pianos) to hold down the bass note in.and , because I wanted to play this section as clean as possible. If I would use the normal pedal, everything would sound too muddy.