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Recuerdos de la Alhambra - played by Ana Vidovic on a Jim Redgate
Capricho Arabe – played by Marcin Dylla on six different guitars
La Alborada – played by Tilman Hoppstock on a 1977 Robert Bouchet
Maria – played by Andrea González Caballero on a 1990 Dominique Field
Jan Depreter plays plays Marieta 'Mazurka' by Francisco Tárrega on a 1911 Vicente Arias
Fantasía sobre motivos de la traviata de Verdi – played by Andrea De Vitis on a 2016 Francois Leonard and 1968 Daniel Friederich.
El Columpio – played by Marcin Dylla on a 1999 Ignacio Fleta e hijos.
Oremus – played by Matteo Staffini on a José Ramirez Ex Segovia.
Prelude No 1 – played by Matteo Staffini on a 1975 Daniel Friederich Ex Ragossnig.
Prelude No 3 – played by Matteo Staffini on a Hermann Hauser II 1970
Prelude No. 5 – played by Matteo Staffini on a 2003 Antonio Marin Montero
Prelude No 11 – played by Matteo Staffini on a 1885 Vicente Arias
Valeria Galimova
Carlotta Dalia
Mateusz Kowalski
Judith Bunk
Natalia Lipnitskaya
Kristina Varlid
Kanahi Yamashita
Yan Kok
Benjamin Skolny
Lorik Pylla
Alexandra Whittingham
Gvaneta Betaneli
Kassandra Siebel
Oskar Axerup
Julia Trintschuk
Oman Kaminsky
Goran Krivokapic
Julia Zarnowska
Isabella Selder
Julia Trintschuk
Cyprien N’tsai
Piotr Pakhomkin
Johan Smith
Johan Fostier
Peter Graneis
Anabel Montesinos
Ana Cizmek
Andres Madariaga
Andjela Misic
Vera Danilina
Thu Le
karlijn Langendijk
Borbala Seres
Eleonora Peretta
Johann Smith
Jorge Caballero
Valentin Novak
Filippos Manoloudis
Carlo Curatolo
Goran Krivokapic
Cyprien N’tsai
Zoe Barnett
Luigi Attademo
Ana Vidovic
Francisco Luiz
Irina Kulikova
Dimitri Illarionov
Cassie Martin
Ana Vidovic -Cello Suite No.1 BWV 1007
Julia Trintschuk - BWV 995 Gavotte I & II played on a Armin Hanika Natural Doubletop 2017
Raphaël Feuillâtre - BWV 826 Partita No. 2 played on a 1931 Santos Hernandez
Karmen Stendler - BWV 995 Sarabande played on a 2018 Francois Leonard
Andrea González Caballero - Prelude BWV 1006a played on a 2017 A. Marin Montero
Duo Barlotta Egielman - French Suite No. 5 BWV 816 played on a J. Fuller and T. Dauge
André Ferreira - Cello Suite No.6 Prélude BWV 1012 played on a 2016 Gabriele Lodi
Ihor Kordiuk - Adagissimo from Capriccio BWV 992 played on a 1942 Weissgerber
Wulfin Lieske - Allemande BWV 1004 played on 'La Leona' by Antonio de Torres
Vojin Kocić - Gigue from Partita No. 2 BWV 1004 played on a 1924 Santos Hernandez
Oguzhan Kayali - Chaconne, Partita No. 2 BWV 1004 played on a 2018 Jesus Bellido
Oguzhan Kayali - Chaconne, Partita No. 2 BWV 1004 - Part 2 played on a Steven den Toom
1. Reexamine your posture and hand positions.Small adjustments in a number of places in your set up can make a big difference. Beginners need to constantly reevaluate.
2. Consider ergonomics on classical guitar.Beginners and intermediate students should closely watch for strange contortions and anything that is not ergonomic. Using a mirror can help.
3. Practice very slowly.I’ve rarely encountered a student who practices as slowly as I think they should. Practicing ultra slowly will ensure you are playing with your best hand positions, sound, confidence, relaxation, accuracy, and more. Once you can play something well at a slow tempo, you can speed it up while keeping an eye on the quality level.
4. Play the melody on its own, keep it simple.If you can't play the melody nicely on its own, how can you play all the note? Learn to play the melody nice and legato first and introduce the rest of the notes after.
5. Dive deeper into musicality.Students can get super caught up in their own technique and progress but remember to strive for better phrasing, dynamic shaping, and overall musicality.
6. Quality practice and happiness.Making your practice sessions enjoyable will be key to long-term musical success and development. When experiencing difficulties, break up the piece or exercise into small manageable goals at a speed you can accomplish successfully. Even if you only play a few notes at a time, playing successfully will improve your skills and give you a feeling of accomplishment.
7. Treat and reward yourself.Make your practice session an enjoyable and special time of your day. Have a treat or nice coffee, buy that nice music stand and metronome.
8. Playing well, don't compare yourself to others too much.Focus instead on having a solid rhythm, legato lines, confident and full tone. Forget about reaching fast tempos, develop a solid and beautiful foundation first.
9. Listen to more music, not just guitar.You must increase your awareness of the larger musical world. Guitar is great but it's only a small niche and won't inform you of all the musical eras diversity. Listen to piano, strings, symphonies, Bach cantatas, voice, lieder, and more.
10. Practice everyday, there are no bad days.I don’t believe in good or bad practice days. All days are good opportunities to practice something. On days when you are having trouble focusing or executing material cleanly, slow down your speed and use a metronome until you are playing well. You may have to play at half the speed you intended but you can still get in some quality practice.
Mikis Theodorakis, Manolis Androulidakis
Yannis Karalis, Michaelangelo Niarchos
Georgia Kombou, Dimitris Papaggelidis - Ας ερχόσουν για λίγο
Manouchedrone - La Valse des Niglos
Mimis Nikolopoulos - A Dream Within A Dream
Gerassimos Voutsinas - Dance No1
Kostas Matsigos - Manhã De Carnaval
Yannis Karalis, Michaelangelo Niarchos - My Babe
Vassilis Papadopoulos - Μνήμες
Michalis Koumbios, Stathis Skandalidis
George Papadopoulos - East & West (Hasapiko)
Evangelos Boudounis, Stelios Golgaris, Vassilis Mastorakis
Georgia Kombou, Dimitris Papaggelidis - The Godfather
Dimitris Svintridis, Stelios Golgaris, Michalis Sourvinos
Gerassimos Voutsinas - Image I, II
Diamantis Andromidas, Aristotelis Vrettakis - Εσύ
Mikis Theodorakis, Manolis Androulidakis - Abduction
Mimis Nikolopoulos - Moonlight Rumba
Gerassimos Voutsinas - Theme et variations
Dimitris Svintridis, Stelios Golgaris, Michalis Sourvinos
Michalis Koumbios, Stathis Skandalidis
Evangelos Boudounis, Maro Razi, Yann Tiersen - Amelie
Manouchedrone, Andreas Polyzogopoulos - There
Georgia Kombou, Dimitris Papaggelidis
Dimitris Svintridis, Stelios Golgaris, Michalis Sourvinos