How does it work?

The Fairlight Hydrofoil

Analog to digital converter design

Where did the Fairlight CMI come from?

Summary

Has the Fairlight changed the way you approach creating music?

The most famous Fairlight sound

The cost of the Fairlight CMI

The cost of the CMI

Conclusion

Disk: Strings 4

Disk: Bells

Disk: Michael Jackson Tour Disk

Disk: Humans 1

Disk: Piano

Disk: Plucked Strings

Disk: Samples/Experiments

Fairlight Page Overview

Monitoring Controls

3 Button Mouse Functionality

Hiding Clips

Separating Voices

Trimming and Cleanup

Audio Level Meters

Layered Audio Editing

Noise Reduction

Conclusion

Fairlight Audio Page Overview

Media Pool and Source Viewer

Timeline

Creating Queues

Peak Normalization

Noise Reduction

Vocal Channel EQ

Stereo Reverb Effect

Automation

Conclusion

Intro

History of the Fairlight CMI

Physical Modelling Synthesis

The First Model

Timpani Drum

History of Sampling

First CMI

Artists who used the Fairlight CMI

Fairlight CMI II

Conclusion

Timpani synthesis

Demonstration of other sounds

Sending a musical greeting

Conclusion

Steve's Introduction

Installing the Project Media

Viewing the Scene in the Edit Page

Getting to Know Fairlight

Navigating the Timeline

Recording Voice Over

Removing Unwanted Audio

Editing with the Range Mode Tool

Creating Tracks from Clips

Working in the Track Index

Cut & Paste Sound Effects

Looping Playback

Moving Clips within a Selection Range

Selection Ranges Editing

Working in the Sound Library

Auditioning Sound Effects

Adjusting Volume

Linking Clips

Ducking Sound with Focus Mode

Adding Fades

Adding a Reverb Effect

Looping Effects

What is Fairlight

Single VS Dual Monitor

Media Pool

FX Library

The Index

Sound FX Library

ADR (Automatic Dialogue Replacement)

Mixer

Meters

Metadata

Inspector

Focus

Audio Timeline

History

Introduction: Developing a Soundtrack

Getting to know the Interface of DaVinci Resolve Fairlight

Extending an audio clip

Zoom controls

Balancing volume levels

Using the Inspector / Using meters as a guide

Customizing the interface

Working with Timeline Markers

Creating a Marker

Previewing audio clips in the Media Pool

Naming, coloring and moving a track

Creating a new track

Working with Dialogue

Recording Voiceover

Recording / patching tracks

Using titles as a script prompt

Moving and splitting clips in track layers

Using the Range selection tool

Dialogue Editing

Moving clips to different tracks

Previewing the finished checkerboard edit

Scrolling the timeline in fixed playhead mode

Using the FairlightFX De-Hummer plugin

Looped playback

Replace dialogue with another take from the Media Pool

ResolveCon 2022 Intro

Good Video with Bad Audio

Fairlight Interface with TIPS & TRICKS

Index - Hidden Features for Working with Tracks!

Mixer - #1 Place to do Audio Work!

Timecode - You Can Change it!

Automation Controls

Timeline View Options

Zoom Controls

Mixer in Detail

Mixer - Order

Mixer - Dynamics - Compression

Mixer - Pan

Bus VS Group

TIPS for Working in Timeline

Timeline Tips - Cutting Clips

Timeline Tips - Fade Clips

Exapmle File - Original Audio

What Else Do We Want to Fix

Before/After EQ

Effects - Multiband Compressor

Last Step - Check Loudness

Quetsion #2

Question #5

Question #9

Opening Remarks

Mixer & Meters

Collaborative Editing

Renaming Tracks

Meters

Keyframe Tool

Relative vs Independent

Batch Fades

Recording Cues

LAPPG Partners

Start

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