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Emotional singing down to quiet B2s in "Scarred"
Stronger B♭2s from the Winter Rose song "Saved by Love"
Wispy B♭2s from "Fatal Tragedy"
One whispery A2 and strong B2s from "Lie"
Nice G♯2 singing in the forefront vocals in "Wither"
A spoken-rap passage bottom at G♯2 in "Octavarium"
Solid, scintillating G2s in "Nothing but the Best" by Winter Rose
Spoken G2s from "Home" (damn, does LaBrie have a cool speaking voice)
Now for the part everyone really cares about: some very powerful singing up to E5 from "Voices"
A relatively light E5 from "Surrounded"
A live version of that same passage where the E is more chesty
Incredible singing up to easy E5s in "Take the Time", a real powerhouse of a performance.
First singing up to an E5, then sustaining an airy F♯5 in the Ayreon song "Confrontation"
LaBrie awesomely changes the phrasing to work up to a chesty F♯5 in the live version of "Metropolis"
A great live passage from "To Live Forever" in Manhattan that has gained some fame on YouTube: he sings roughly up to E♭5 several times and reaches F♯5 once, ending on a surprisingly clean B4
Another incredible live passage, he sings up to E5 twice, with a wild F♯5 in between in this great display of breath support; song is "Learning to Live" from Tokyo 1993 (not the DVD release, but a bootlegged show from a few nights earlier)
An entire line sung on G5 from the end of "Thrill of the Night" by Winter Rose!
A blistering G5 from a live cover of "Since I've Been Loving You"
An immensely powerful G5 from "The Killing Hand"
Lots of F5s and a couple G5s, leading to an immense D5 and then two sustained F5s from the same song
A very wild G♯5 with a short voice crack in the middle in "The Killing Hand" live in Milan
Taking the ending up to a raw A5 from a live version of "Octavarium"
A surprising and extremely dirty A5 in a live version of "Lines in the Sand"
A slightly cleaner, but incredibly powerful sustained A5 from "Number of the Beast"
From a recent live rendition of "Under a Glass Moon," LaBrie takes the original E5 and breaks into a falsetto B5, presumably for his own amusement