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Where did loudness normalization come from?
When do differences in loudness get noticed?
Does loudness matter when submitting your song to a label?
What happens ACTUALLY happens when A&R listens to music
How much loudness difference can you notice?
Why you should submit a competitively loud master to labels
Does loudness matter for purchasers of your music & DJs?
Should you master to -14 LUFS for Spotify and Apple Music?
Loudness targets…do they matter?
What do other mix & mastering engineers think?
Why most people can’t mix or master loud
How to create the potential for loudness
Don’t be scared of loudness