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Intro
1. Your references are too loud
2. Your lead is inconsistent
3. Your tracks are unbalanced
4. It doesn’t sound good loud
5. Your transients affect headroom
6. Your tracks are too divergent
7. There’s too much high-end
8. There’s too much low-end
9. Your low-end is unbalanced
10. You didn’t listen for issues
Outro
Intro
Audio Examples
Target LUFS Levels
Target LUFS Levels for Rock
Target LUFS Levels for Hip-Hop
Target LUFS Levels for EDM
Target LUFS Levels When Mixing
Audio Example #1 - Rock
Momentary, Short-term, and Integrated LUFS
Audio Example #2 - Rock
Audio Example #3 - EDM
Audio Example #4 - Pop/Electronic
Target Peak Levels
Inter-sample Peaks
True Peak Limiters
The Importance of Reference Tracks
Limiters vs. Compressors
Increasing Loudness Using EQ
Download and Installation
How to Make Any Master Sound Better in 3 Easy Steps
Time Any Dynamics Processing To The Track's BPM
How to Set Attack & Release to BPM
How to Make a Master Sound More Musical
Use Linear Phase Processing When Creating High-Pass Filters
Linear Phase Processing
Introduce Dynamic Equalization/Expansion Before Limiting
Mid-Side Dynamic Equalization
Multiband Compression
FREE Mastering Sample
What Should the Loudest Peak of a Mix be?
What is 0dB?
What is using as many bits as possible?
Should I use any plugins or processing on the master output?
Can I Mix with a Limiter on my Output to Preview Mastering?
How to Mix Without Mastering Processing
How Genre and Dynamics Affect Your Mix's Loudness
What Settings Should I Use When Exporting a Mix?
Correctly Prepared Mix Example
FREE Mastering Sample