The Marvelization of Cinema

What is Storytelling Entropy?

Hollow Franchises

Meta-References to Nowhere

Corporate Passion

Breaking the Cycle

Meaningful Engagement

1. Just a Feeling

2. Calling U Back

3. Hush

4. All I Really Want Is You

5. Hable con Ella

6. Little by Little

7. Heavy

8. Un Millón

9. Spin Me Around

10. The Mice Inside This Room

11. To Say Hello

12. Fog as a Bullet

13. Talk to Her

1. Cinema Paradiso (Main Theme)

2. Maturity - Maturità

3. Love Theme - Tema D'Amore

4. Childhood and Manhood - Infanzia e Maturità

5. While Thinking About Her Again - Ripensandola

6. Cinema on Fire - Cinema in Fiamme (Tema della Bicicletta)

7. Love Theme - Tema D'Amore (2nd Version)

8. Toto and Alfredo

9. After The Destruction - Dopo il Crollo (Extended Version)

10. Love Theme For Nata - Tema D'Amore per Nata

11. Visit to the Cinema - Visita al Cinema

12. First Youth - Prima Gioventù

13. Four Interludes - Quattro Interludi

14. Runaway, Search and Ritorno - Fuga, Ricerca e Ritorno

15. From American Sex Appeal to the First Fellini - Dal Sex Appeal al Primo Fellini

16. Love Theme - Tema D'Amore (3rd Version)

17. Projection For Two - Proiezione a Due

18. Toto and Alfredo (2nd Version)

19. Bicycle Theme - Tema della Bicicletta

20. Visit to the Cinema - Visita al Cinema (2nd Version)

21. Maturity - Maturità (2nd Version)

22. For Elena - Per Elena

23. Cinema Paradiso (Finals)

Human Gatherings

Shadow Puppet Theatre

Camera Obscura

The Magic Lantern

Phantasmagoria

The Retina and Optical Toys

Photography

Stereopticon

Picture Plays

Muybridge & The Zoopraxinoscope

Kinematograph

Part 1: The Birth of Cinema

Part 2: Silent Films

Part 3: The Invention of Sound

Part 4: The Hays Code

Part 5: Technicolor

Part 6: World War 2

Part 7: The New Contenders

Part 8: World Tour with Kino

Part 9: New Hollywood & Beyond

Part 10: Conclusion

'Yi Yi' - Yang Wei Han

'The Spirit of The Beehive' - Luis Cuadrado

'Night of The Hunter' - Stanley Cortez

'Pierrot Le Fou' - Raoul Cotard

'Apocalypse Now' - Vittorio Storraro

'Kagemusha' -Takao Saitô, Shôji Ueda

'Dreams' - Takao Saitô, Shôji Ueda

'The Holy Mountain' - Rafael Corkidi

'The Color of Pomegranates (Sayat Nova) - Suren Shakhbazyan

'Suspiria' - Luciano Tovoli

'Mishima: A Life in Four Chapters' - John Bailey

'Daisies' - Jaroslav Kučera

'La Belle et La Bete' - Henri Alekan

'Samsara' - Ron Fricke

'Pina' - Jörg Widmer, Hélène Louvart

'I Am Belfast' - Mark Cousins, Christopher Doyle

'Tabloid' - Robert Chappell

'The Imposter' - Erik Wilson, Lynda Hall

'Barry Lyndon' - John Alcott

'The Idiots' - Lars von Trier, Casper Holm, Jesper Jargil, Kristoffer Nyholm

'Julien Donkey-Boy' - Anthony Dod Mantle

'I Am Cuba' - Sergei Urusevsky

'Roma' - Alfonso Cuarón

'The Revenant' - Emmanuel Lubezki

'Days of Heaven' - Néstor Almendros

Introduction

Why listen to me

Who is Nikon?

Who is Red?

Video Camera Segmentation

What is a Consumer Video Camera?

What is a Creator Video Camera?

What is a Videographer Video Camera?

What is a Cinema Camera?

Video Camera Market: Canon, Sony, Panasonic, DJI, Nikon, Red

Nikon need to catch up

How can Nikon afford Red?

What assets does Red have for Nikon?

How will Nikon bridge the gap?

Challenges of Mergers & Acquisitions

Sony still owns this segment

Why do you hate Nikon?

Summary

Difficult To Shoot Good Macro

The Throw Is Smooth

Really shallow depth of field

Fullframe Compatible

Batteries Don't Last Very Long

Cards Fill Up Very Quickly

Very Easy To Use

Heavy

Heavy Lens

Bright and Sharp

Introduction

PART I: AN ODE TO A CITY

Manhattan, dir: Woody Allen

Taipei Story, dir: Edward Yang

Nashville, dir: Robert Altman

PART II: THE SPIRIT LINGERS ON

Playtime, dir: Jacques Tati

Rome Open City, dir: Roberto Rosellini

Man With a Movie Camera, dir: Dziga Vertov

Fargo, dir: The Coen Brothers

Chinatown, dir: Roman Polanski

The Battle of Algiers, dir: Gillo Pontecorvo

PART III: I REMEMBER THIS PLACE...

The Spirit of The Beehive, dir: Victor Erice

Spirited Away, dir: Hayao Miyazaki

The 400 Blows, dir: Francois Truffaut

The Apu Trilogy, dir: Satyajit Ray

Amarcord, dir: Federico Fellini

PART IV: THE WORLD IS NOT HERE

Blade Runner, dir: Ridley Scott

The Lighthouse, dir: Robert Eggers

Metropolis, dir: Fritz Lang

Sátántangó, dir: Béla Tarr

Intro

Anamorphic Modes

Exposure Index Ladder

Internal ND

Color Space

Recording Media

Proxy Recording

Monitor Hi/Lo Key

Auto Pixel Restoration (APR)

AXS-M Drive Utility

Intro

What is the M-LITE

Shipping & Cut off date

What happened to the STL?

Accessories

The HollyWood Pack

Early Adopters

The End

Intro

World's Smallest Large Format Cinema Camera

Real RAW

The Fastest Mirrorless Camera

fp vs RED Monstro

Why Bit rate Matters

Color Accuracy

Picture Profiles

Latitude Test / Dynamic Range

Resolution & Frame Rates

Heat Sink

Ergonomics

Stills Mode

Menus & Custom Functions

Notable Features

Anamorphic Hack

GIFs!

Best Add On

Bonus Feature

Pre amps

External Recording

Gimbal Control

Last Words

INTRO

CAMERA CAGE

RAIL MOUNT

BATTERY PLATE

THE LENS

MONITOR

VIDEO TRANSMISSION

BUDGET VIDEO TRANSMISSION

MATTE BOX

ZOOMING w/ MATTE BOX

BATTERIES

TOP HANDLE VERSION

LIGHT LEAKS?

MIX & MATCH COMPONENTS

SECURE CABLE CONNECTIONS

BALANCE

CONFIGURATIONS

OUTRO

A Good Grip on the Camera

So Many Options for Mounting

The Size Can Be a Problem

Beautiful 5k High Frame Rate