Throughout the 19th cent. we find prints and paintings in the style of earlier artists--e.g. this surimono by Totoya Hokkei imagining Moronobu depicting a young woman with a set of #HyakuninIsshu #百人一首 poem cards 歌カルタ(source: harvardartmuseums.org/collections/ob…) #366in24 pic.twitter.com/cTqHd9D9S5

“もろともに 哀れと思へ 山桜 花より外に 知る人もなし” #百人一首66番/大僧正行尊 Together In pity and sorrow, Oh mountain cherry— For besides your flowers There is no one By High Priest Gyoson (1055-1135) #HyakuninIsshu no.66 #Sakura桜 #cherryblossom pic.twitter.com/TztR8NZAmu

古くから伝わる日本の詩の伝統をエキスパートの皆さんから学んでいます。 #英語 #百人一首 #かるた Learning about Japanese poetry traditions from the experts #hyakuninisshu pic.twitter.com/3DtDhNAanY